Kirsten Kötter

re:publica 18

See also: re:publica 17

Kirsten Kötter re-puplica 18
Kirsten Kötter re:puplica

Kirsten Kötter painted watercolor protocols at the lectures of re:publica 2018.

Kirsten Kötter malte Aquarell-Protokolle in Vorträgen auf der re:publica 2018.

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: Hacking the City, In a Shit-Storm, Cambridge Analytica, Go Podcasting

2018-05-04_richard-gutjahr_shitstorm_lars-zimmermann-hack-city - Kirsten Kötter:  water colour, 24 x 32 cm
Nach Nizza und München - Anantomie eines Shit-Tsunamis (Richard Gutjahr). Why and how to hack cities for sustainebility (Lars Zimmermann). Kirsten Kötter: water colour, 24 x 32 cm
2018-05-04_leon-kaiser-stadt_podcasting_0478_kirsten-koetter_800.png - Kirsten Kötter, water colour, 24 x 32 cm
Deine Stadt ist nicht meine Stadt? Übers Leben mit Unternehmen ... (Leon Kaiser). Go Podcasting. Unser Appell zur Rückeroberung der digitalen ... (N. Wöhrl, S. Schulz). Kirsten Kötter: water colour, 24 x 32 cm
2018-05-04_podcast_cambridge-analytica_0476_kirsten-koetter_800.png - Kirsten Kötter, water colour, 24 x 32 cm
Cambridge Analytica and our Data - a critical intervention (Federike Kaltheuner and others). Kirsten Kötter: water colour, 24 x 32 cm
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: VR, AR, KI, Big Data and Forensic Architecture

 2018-05-03, 11:15, Eva Wolfangel: VR stellt unseren Begriff vom echten Leben in Frage; Luca Coracciolo: Spatial Computing, VR & AR als Grundlagen für eine neue Computer-Ära, Stage 9; 12:30, W. Palmetshofer, L. Matzat: Openschufa - crowdsourcing algorithmic accountability; Ame Elliott: Request denied: Designing for consent in data collection, Stage 2 - Kirsten Kötter: water colour, 24 x 32 cm
VR stellt unseren Begriff vom echten Leben in Frage (Eva Wolfangel). Spatial Computing, VR & AR als Grundlagen für eine neue Computer-Ära (Luca Coracciolo). Openschufa - crowdsourcing algorithmic accountability (W. Palmetshofer, L. Matzat). Request denied: Designing for consent in data collection (Ame Elliott). Kirsten Kötter: water colour, 24 x 32 cm
2018-05-03, 13:45, Eyal Weizman: Forensic Architecture, Stage 1; Julia Krüger: Algorithmen und künstliche Intelligenz, Stage 2 - Kirsten Kötter, water colour, 24 x 32 cm
Forensic Architecture (Eyal Weizman). Algorithmen und künstliche Intelligenz (Julia Krüger). Kirsten Kötter: water colour, 24 x 32 cm
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: Black future - climate - automation

Kirsten Kötter: Resilience, Ökonomie - Großflächiger Abbau der Erde (Goldminen, Sand), grober ungefährer Rückbau = riesiger Eingriff in die Natur, water colour, 17 x 24 cm
Kirsten Kötter: Resilienz, Ökonomie - Großflächiger Abbau der Erde (Goldminen, Sand), grober ungefährer Rückbau = riesiger Eingriff in die Natur, water colour, 17 x 24 cm
Resilienz, Ökonomie, großflächiger Abbau der Erde, Goldminen, Sand, grober ungefährer Rückbau, riesiger Eingriff in die Natur (Orit Halpern). Kirsten Kötter, water colours, 17 x 24 cm
Kirsten Kötter: E-Bracelets Mekka, Rangar Yogeshwar, Maschinen-Musik (Insane in the brain-drain), water colour, 24 x 32 cm
E-Bracelets Mekka, Rangar Yogeshwar, Maschinen-Musik (Insane in the brain-drain). Kirsten Kötter, water colour, 24 x 32 cm
Kirsten Kötter: E-Bracelets Mekka, Rangar Yogeshwar, Maschinen-Musik (Insane in the brain-drain), water colour, 24 x 32 cm, detail
E-Bracelets in Mekka (Miriam Seyffarth). Fünf Minuten Rangar Yogeshwar. KI komponiert Musik (Eric Eitel). Kirsten Kötter: water colour, 24 x 32 cm, detail
Kirsten Kötter: E-Bracelets Mekka, Rangar Yogeshwar, Maschinen-Musik (Insane in the brain-drain), water colour, 24 x 32 cm, detail
E-Bracelets in Mekka. Rangar Yogeshwar. Maschinen-Musik (Insane in the brain-drain). Kirsten Kötter: water colour, 24 x 32 cm, detail
Kirsten Kötter: E-Bracelets Mekka, Rangar Yogeshwar, Maschinen-Musik (Insane in the brain-drain), water colour, 24 x 32 cm, detail
Maschinen-Musik, insane in the brain drain (Eric Eitel). E-Bracelets in Mekka (Miriam Seyffarth). Kirsten Kötter: water colour, 24 x 32 cm, detail
 Kirsten Kötter: Automation anxiety, water colour, 17 x 24 cm
Automation anxiety (Peter Frase). Kirsten Kötter: water colour, 17 x 24 cm
Kirsten Kötter re-puplica 18
Kirsten Kötter re:puplica
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Artistic Research re:publica

Kirsten Kötter, Clothes for artistic research re:publica 18 and water colour German Bundestag
Kirsten Kötter, Clothes for artistic research re:publica and water colour German Bundestag
Kirsten Kötter, 2013-10-26 Marie-Elisabeth-Lüders-Haus, Berlin, 24 x 32 cm
Marie-Elisabeth-Lüders-Haus, Berlin. Kirsten Kötter, water colour, 24 x 32 cm

About the green water colour: German Bundestag

The look of re:publica 18 reminds me to one of my water colours, because of the round form and the same green colour: 2013-10-26 Site-specific Research Marie-Elisabeth-Lüders-Haus, German Bundestag, Berlin

The round window is to represent democracy and open society. Do the round form and the green colour of re:publica 18 represent the same? Or do they stand for filter bubbles and new beginning and innocence?

Kirsten Kötter, 2013-10-26 Marie-Elisabeth-Lüders-Haus, Berlin, water colour, 24 x 32 cm
Marie-Elisabeth-Lüders-Haus, Berlin. Kirsten Kötter, water colour, 24 x 32 cm
Kirsten Kötter, Marie-Elisabeth-Lüders-Haus, Berlin, 2013-10-26
Marie-Elisabeth-Lüders-Haus, Berlin, (Kirsten Kötter)
Kirsten Kötter, Marie-Elisabeth-Lüders-Haus, Berlin, 2013-10-26
Marie-Elisabeth-Lüders-Haus, Berlin, (Kirsten Kötter)
Kirsten Kötter, 2013-10-26 Marie-Elisabeth-Lüders-Haus, Berlin, 24 x 32 cm
Kirsten Kötter, Marie-Elisabeth-Lüders-Haus, Berlin. Water colour, 24 x 32 cm
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re:publica

Kirsten Kötter: Gunter Dueck, re:publica 17, digital montage
Gunter Dueck, re:publica , digital montage, Kirsten Kötter
Kirsten Kötter: Elisabeth Wehling, re:publica 17, digital montage
Elisabeth Wehling, re:publica , digital montage, Kirsten Kötter
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